As anticipated, Coldplay's album is so generally broad and personal at the same time, there is almost nothing attributable in the lyrics. For that reason only a small selection will be referenced and that broadly. And in fact the songs of most interest had already been released as singles long before October 15th.
That said, the album as a concept has significant depth that is worth review, and this has been achieved at an integrational level with an attendant cosmology/visual arts. (It is well worth just watching the video montage of the respective planets representing a selection of songs on your iPhone, for example.) The fanbase has observed and iterated the overall conception and launch steps with laudable dedication. From this vantage the album is truly developed and uniquely beautiful. As broad concept, the presentation of a singular alien musical force ideating through humankind that has a complete cultural ethos, cosmos and multiple languages is relevant and significant, from the standpoint that this is inferentially about the creation of a connective consciousness represented as it own cosmos.
Situationally the album’s an "either it is or it isn't" which is impossible to know or determine. I'm going to address this album apart from the one singular digression that was the lead single, which is how I regard the song, "Higher Power". What I mean by pointing out this song is set apart on the album is that I by and large regard this production from the viewpoint that it is a male Transcendent doing most of the talking, speaking inspirationally. "My Universe" translates this way by speaking in terms of a cosmology, which is an active one I already presented (as part of the terminology and symbolism that was "Universal"), with all the inspirational songwriters who are participants historically identified as stars (with "star" as one of her initial symbols). The song is broader in interpretation, (obviously), but if I apply this analogy about being from "two different sides" and a love described as not possible, this fulfills as an ultimate interpretation, because the couple described from the male first person perspective meet one another in the sky, meaning they astral in spirit (or something else decidedly not normal). This of course depends on how literally you're interpreting the song; the point I'm trying to make is, my narrative is the one point of place where this is literally interpretive, thanks to how this is going to demonstrably continue to unfold on itself.
"Coloratura" extends and develops the same historic analogy by describing it in terms of an event of heavenly descent (as in coming from the sky down to earth) with both earthly and heavenly observers, accompanied by a solar system and nebula (which is what the song title connotes on the concept album), with any number of stars, heavenly bodies and satellites (Galileo is not the satellite but the person) as participants. It takes the cosmology that is realized between two lovers in "My Universe" and graduates it to a universal context, a full solar system, full of ascendent individuals who are witnesses to the event. The plot device is liberation of the solar system (centered on a sun) through music, and it is now visible and manifesting on earth. (In keeping with the sun symbolism being representative of a transcendent male spirit, stuff like this landed from other albums.) The concept of coming from an alien world ("everyone is an alien somewhere") and the meeting of two species is a new age approach that is analogous to the (significant) divergence in Christian theology the iBook delineates occurring separately between two individuals whose later encounter is defined by this differential belief (this one, and belief in a feminine Holy Spirit). The divergence is a common belief in pre-conception existence (p. 78, but go ahead and search the term for a full explanation).
Also the album cover centers this solar system on the vesica piscis, (backed by a trinity of circles), and this is the geometric image that appeared against a void that in the protagonist’s mind the night after this encounter began twenty-nine years ago, on November 3rd 1992. This is on p. 407 in the iBook. I did not discover what the geometry might mean as a symbol until I was writing the book.
IF YOU WANT THE SONG BY SONG ANALYSIS, the rest is under the link.